一切都还在

Still There

汉白玉 White Marble
190 x 100 x 20 cm
2015

艺术家以幻真写实的手法再现了真实尺寸、质地柔软的一片白床单，皱褶复杂的床单表面，隐约可以看到一个刚刚离开的人形余迹。用白色床布的褶皱，来提示一个不在现场的人，而激发观者去想象追索。在此，两者之间的对照观赏和比较阅读，是可以互相增强意义的。

The material of this work is white marble. The artist employs a realistic, true-to-life technique to recreate a life-size, genuinely soft white bed sheet. From the intricately wrinkled surface, one could observe an implicit outline of a person who might have just left a moment ago. <Still There> uses the carving of a white bed sheet to suggest the presence of an absent person, stimulating audience’s imagination and exploration.Therefore, the comparison and contrast of the two could reinforce their meanings.