茫
Reaching the Boundless
雕塑泥等
尺寸可变
2022
装置剧《莽·荡·苍·茫》的形式介于装置艺术展与实验身体剧之间，分为四幕，亦剧亦展，亦悲亦美，大开大合，直指人心。形而上下、跌宕起伏地演绎了现代人之宗教、哲学的心理境象，以及一种苍茫浑厚的生命诗性。
Sculptural clay
Dimensions Variable
2022
The form of the installation drama 'Reaching the Boundless' lies between installation art exhibitions and experimental body dramas. It is divided into four acts, which are both drama and exhibition, sad and beautiful, open and close, and directly target the human heart. Metaphysically, it portrays the psychological state of religion and philosophy of modern people through ups and downs, as well as a vast and profound poetic quality of life.
第四幕：茫
野茫茫——肉身大地，山海牲灵——神农氏的壑，有巢氏的河——大地的欣悦疼痛肥沃地挤压着青冥牧笛——敞开、涌现、推进、撞击——巨石般涌来，浪潮般退去——
向天使赞美尘世吧
在苍茫的告别仪式上
古籍清凉
守护万物的墓碑随掬水在手的月光升起
大地，请你相信
为了赢得我，无需你更多的春天
难以慰籍的姐妹
愿你流泪
欢乐泉，她含着敬畏称它的名字：在人间
它是一条宽广的大河
