荡
Reaching the Boundless
彩色水晶玻璃、金属丝等
尺寸可变
2022
装置剧《莽·荡·苍·茫》的形式介于装置艺术展与实验身体剧之间，分为四幕，亦剧亦展，亦悲亦美，大开大合，直指人心。形而上下、跌宕起伏地演绎了现代人之宗教、哲学的心理境象，以及一种苍茫浑厚的生命诗性。
Colored crystal glass，Wire
Dimensions Variable
2022
The form of the installation drama 'Reaching the Boundless' lies between installation art exhibitions and experimental body dramas. It is divided into four acts, which are both drama and exhibition, sad and beautiful, open and close, and directly target the human heart. Metaphysically, it portrays the psychological state of religion and philosophy of modern people through ups and downs, as well as a vast and profound poetic quality of life.
第二幕：荡
身份是一次流荡——一件白色的睡衣，一个梦里的女孩——寻觅、相遇、相即、游离——漫漶的琉璃，透明的扮演——自我、本我、大我、无我，都在迷离的“面具”后面——荣格的人格，萨特的选择——人间是剧场：面具亦真亦幻，角色亦悲亦美：
“人群中这些面孔幽灵一般闪现
湿漉漉的黑色枝条上的许多花瓣”
——庞德《地铁车站》
