卢征远

《NO.0211-1》

时间：2015/02/11 18:00

尺寸：行为作品视频20秒

材料：薛鳗玲提供声音《失语症》；周艟提供中央美术学院美术馆的纸质门票一张

作品说明： 对着纸质美术馆门票使用提供的失语症方式发声。

状态：已成交                                  

社评之网友1：交流是虚拟的，一切都留存在视觉与听觉里，也是现实的，能感受到对方的存在。
社评之网友2：失去语言之语，是否优于沉默，是无奈还是有意为之，是筑建和一张门票的沟通，还是设置沟通的障碍，这可能是这件作品要发问的和要提供思考空间之处。
社评之网友3：“如何成为一个‘形而上学的自我’，一个可与世界进行不断信息交流的自我？”这是语言哲学家维特根斯坦的思考，艺术家用了好多个音节，和外界交流，一张纸只回应了几次颤动，如此貌似无效的沟通，持续着等待结束，声音的意义并不重要，重要的是最后一定是沉默。

Time: 6 p.m. on Feb. 11, 2015

Size: A behavior video which lasts 20 seconds.

Materials:  Xue Manling provided the voice Aphasia;Zhou Tong provided an art paper ticket of the China Central Academy of Fine Arts Museum.

Introductions to the Work: Make voice to the paper ticket of the Museum in the way of aphasia.

State: having done a deal

(A net friend): Communication is virtual --Everything remains in the vision and hearing; it’s also realistic—one can feel the other’s existence.
(A net friend): Whether the language without words is superior to silence? Is it helpless or intentional? Is it the communication with a ticket, or the obstacle to set up communication? This may be the place to ask questions and to provide room for thinking.
(A net friend): “How to be a ‘metaphysical’ self, a self that can communicate with the world continuously?” This is the thinking of language philosopher Wittgenstein. The artist used a lot of syllables to communicate with the outside world. But a piece of paper can communicate with the world with only a few trembles. This is seemingly ineffective communication. The meaning of the sound isn’t important, and what’s important is there must be silence at last.